I think about photographers that have had a very discernable look – you know I think about Avedon a lot and the idea of him making those portraits, for example, In the American West. The rebate was a big part of those images and it really allowed those images to have a really graphic nature to them that … ultimately that showing that film edge told you that that was all there was … and, on the planet, that was the thing I chose to show you that day.
Dan Winters interviewed by Ibarionex Perello for the Candid Frame podcast #85.